Roger arrived at the Circle’s meeting-room the next evening even more agog than usual. In his heart on hearts he could not believe that Miss Dammers would ever be able to destroy his case against Bendix, or even dangerously shake it, but in any event what she had to say could not fail to be of absorbing interest, even without its animadversions of his own solution. Roger had been looking forward to Miss Dammers’s exposition more than to that of any one else.
Alicia Dammers was so very much a reflection of the age.
Had she been born fifty years ago, it is difficult to see how she could have gone on existing. It was impossible that she could have become the woman-novelist of that time, a strange creature (in the popular imagination) with white cotton gloves, an intense manner, and passionate, not to say hysterical yearnings towards a romance from which her appearance unfortunately debarred her. Miss Dammers’s gloves, like her clothes, were exquisite, and cotton could not have touched her since she was ten (if she ever had been); tensity was for her the depth of bad form; and if she knew how to yearn, she certainly kept it to herself. Passion and purple, one gathered, Miss Dammers found quite unnecessary to herself, if interesting phenomena in lesser mortals.
From the caterpillar in cotton gloves the woman-novelist has progressed through the stage of cook-like cocoondom at which Mrs. Fielder-Flemming had stuck, to the detached and serious butterfly, not infrequently beautiful as well as pensive, whose decorative pictures the illustrated weeklies are nowadays delighted to publish. Butterflies with calm foreheads, just faintly wrinkled in analytical thought. Ironical, cynical butterflies; surgeon-butterflies thronging the mental dissecting-rooms (and sometimes, if we must be candid, inclined to loiter there a little too long); passionless butterflies, flitting gracefully from one brightly-coloured complex to another. And sometimes completely humourless, and then distressingly boring butterflies, whose gathered pollen seems to have become a trifle mud-coloured.
To meet Miss Dammers and look at her classical, oval face, with its delicately small features and big grey eyes, to glance approvingly over her tall, beautifully dressed figure, nobody whose imagination was still popular would ever have set her down as a novelist at all. And that in Miss Dammers’s opinion, coupled with the ability to write good books, was exactly what a properly-minded modern authoress should hope to achieve.
No one had ever been brave enough to ask Miss Dammers how she could hope successfully to analyse in others emotions which she had never experienced in herself. Probably because the plain fact confronted the enquirer that she both could and did. Most successfully.
“We listened last night,” began Miss Dammers, at five minutes past nine on the following evening, “to an exceedingly able exposition of a no less interesting theory of this crime. Mr. Sheringham’s methods, if I may say so, were a model to all of us. Beginning with the deductive, he followed this as far as it would take him, which was actually to the person of the criminal; he then relied on the inductive to prove his case. In this way he was able to make the best possible use of each method. That this ingenious mixture should have been based on a fallacy and therefore never had any chance of leading Mr. Sheringham to the right solution, is rather a piece of bad luck than his fault.”