The Murder of Roger Ackroyd

It was just a few minutes before half-past seven when I rang the front door bell of Fernly Park. The door was opened with admirable promptitude by Parker, the butler.

The night was such a fine one that I had preferred to come on foot. I stepped into the big square hall and Parker relieved me of my overcoat. Just then Ackroyd’s secretary, a pleasant young fellow by the name of Raymond, passed through the hall on his way to Ackroyd’s study, his hands full of papers.

“Good-evening, doctor. Coming to dine? Or is this a professional call?”

The last was in allusion to my black bag, which I had laid down on the oak chest.

I explained that I expected a summons to a confinement case at any moment, and so had come out prepared for an emergency call. Raymond nodded, and went on his way, calling over his shoulder:—

“Go into the drawing-room. You know the way. The ladies will be down in a minute. I must just take these papers to Mr. Ackroyd, and I’ll tell him you’re here.”

On Raymond’s appearance Parker had withdrawn, so I was alone in the hall. I settled my tie, glanced in a large mirror which hung there, and crossed to the door directly facing me, which was, as I knew, the door of the drawing-room.

I noticed, just as I was turning the handle, a sound from within—the shutting down of a window, I took it to be. I noted it, I may say, quite mechanically, without attaching any importance to it at the time.

I opened the door and walked in. As I did so, I almost collided with Miss Russell, who was just coming out. We both apologized.

For the first time I found myself appraising the housekeeper and thinking what a handsome woman she must once have been—indeed, as far as that goes, still was. Her dark hair was unstreaked with gray, and when she had a color, as she had at this minute, the stern quality of her looks was not so apparent.

Quite subconsciously I wondered whether she had been out, for she was breathing hard, as though she had been running.

“I’m afraid I’m a few minutes early,” I said.

“Oh! I don’t think so. It’s gone half-past seven, Dr. Sheppard.” She paused a minute before saying, “I—didn’t know you were expected to dinner to-night. Mr. Ackroyd didn’t mention it.”

I received a vague impression that my dining there displeased her in some way, but I couldn’t imagine why.

“How’s the knee?” I inquired.

“Much the same, thank you, doctor. I must be going now. Mrs. Ackroyd will be down in a moment. I—I only came in here to see if the flowers were all right.”

She passed quickly out of the room. I strolled to the window, wondering at her evident desire to justify her presence in the room. As I did so, I saw what, of course, I might have known all the time had I troubled to give my mind to it, namely, that the windows were long French ones opening on the terrace. The sound I had heard, therefore, could not have been that of a window being shut down.

Quite idly, and more to distract my mind from painful thoughts than for any other reason, I amused myself by trying to guess what could have caused the sound in question.

Coals on the fire? No, that was not the kind of noise at all. A drawer of the bureau pushed in? No, not that.

Then my eye was caught by what, I believe, is called a silver table, the lid of which lifts, and through the glass of which you can see the contents. I crossed over to it, studying the things. There were one or two pieces of old silver, a baby shoe belonging to King Charles the First, some Chinese jade figures, and quite a number of African implements and curios. Wanting to examine one of the jade figures more closely, I lifted the lid. It slipped through my fingers and fell.

At once I recognized the sound I had heard. It was this same table lid being shut down gently and carefully. I repeated the action once or twice for my own satisfaction. Then I lifted the lid to scrutinize the contents more closely.

I was still bending over the open silver table when Flora Ackroyd came into the room.

Quite a lot of people do not like Flora Ackroyd, but nobody can help admiring her. And to her friends she can be very charming. The first thing that strikes you about her is her extraordinary fairness. She has the real Scandinavian pale gold hair. Her eyes are blue—blue as the waters of a Norwegian fiord, and her skin is cream and roses. She has square, boyish shoulders and slight hips. And to a jaded medical man it is very refreshing to come across such perfect health.

A simple straight-forward English girl—I may be old-fashioned, but I think the genuine article takes a lot of beating.

Flora joined me by the silver table, and expressed heretical doubts as to King Charles I ever having worn the baby shoe.

“And anyway,” continued Miss Flora, “all this making a fuss about things because some one wore or used them seems to me all nonsense. They’re not wearing or using them now. The pen that George Eliot wrote The Mill on the Floss with—that sort of thing—well, it’s only just a pen after all. If you’re really keen on George Eliot, why not get The Mill on the Floss in a cheap edition and read it.”

“I suppose you never read such old out-of-date stuff, Miss Flora?”

“You’re wrong, Dr. Sheppard. I love The Mill on the Floss.”

I was rather pleased to hear it. The things young women read nowadays and profess to enjoy positively frighten me.

“You haven’t congratulated me yet, Dr. Sheppard,” said Flora. “Haven’t you heard?”

She held out her left hand. On the third finger of it was an exquisitely set single pearl.

“I’m going to marry Ralph, you know,” she went on. “Uncle is very pleased. It keeps me in the family, you see.”

I took both her hands in mine.

“My dear,” I said, “I hope you’ll be very happy.”

“We’ve been engaged for about a month,” continued Flora in her cool voice, “but it was only announced yesterday. Uncle is going to do up Cross-stones, and give it to us to live in, and we’re going to pretend to farm. Really, we shall hunt all the winter, town for the season, and then go yachting. I love the sea. And, of course, I shall take a great interest in the parish affairs, and attend all the Mothers’ Meetings.”

Just then Mrs. Ackroyd rustled in, full of apologies for being late.

I am sorry to say I detest Mrs. Ackroyd. She is all chains and teeth and bones. A most unpleasant woman. She has small pale flinty blue eyes, and however gushing her words may be, those eyes of hers always remain coldly speculative.

I went across to her, leaving Flora by the window. She gave me a handful of assorted knuckles and rings to squeeze, and began talking volubly.

Had I heard about Flora’s engagement? So suitable in every way. The dear young things had fallen in love at first sight. Such a perfect pair, he so dark and she so fair.

“I can’t tell you, my dear Dr. Sheppard, the relief to a mother’s heart.”

Mrs. Ackroyd sighed—a tribute to her mother’s heart, whilst her eyes remained shrewdly observant of me.

“I was wondering. You are such an old friend of dear Roger’s. We know how much he trusts to your judgment. So difficult for me—in my position, as poor Cecil’s widow. But there are so many tiresome things—settlements, you know—all that. I fully believe that Roger intends to make settlements upon dear Flora, but, as you know, he is just a leetle peculiar about money. Very usual, I’ve heard, amongst men who are captains of industry. I wondered, you know, if you could just sound him on the subject? Flora is so fond of you. We feel you are quite an old friend, although we have only really known you just over two years.”

Mrs. Ackroyd’s eloquence was cut short as the drawing-room door opened once more. I was pleased at the interruption. I hate interfering in other people’s affairs, and I had not the least intention of tackling Ackroyd on the subject of Flora’s settlements. In another moment I should have been forced to tell Mrs. Ackroyd as much.

“You know Major Blunt, don’t you, doctor?”

“Yes, indeed,” I said.

A lot of people know Hector Blunt—at least by repute. He has shot more wild animals in unlikely places than any man living, I suppose. When you mention him, people say: “Blunt—you don’t mean the big game man, do you?”

His friendship with Ackroyd has always puzzled me a little. The two men are so totally dissimilar. Hector Blunt is perhaps five years Ackroyd’s junior. They made friends early in life, and though their ways have diverged, the friendship still holds. About once in two years Blunt spends a fortnight at Fernly, and an immense animal’s head, with an amazing number of horns which fixes you with a glazed stare as soon as you come inside the front door, is a permanent reminder of the friendship.

Blunt had entered the room now with his own peculiar, deliberate, yet soft-footed tread. He is a man of medium height, sturdily and rather stockily built. His face is almost mahogany-colored, and is peculiarly expressionless. He has gray eyes that give the impression of always watching something that is happening very far away. He talks little, and what he does say is said jerkily, as though the words were forced out of him unwillingly.

He said now: “How are you, Sheppard?” in his usual abrupt fashion, and then stood squarely in front of the fireplace looking over our heads as though he saw something very interesting happening in Timbuctoo.

“Major Blunt,” said Flora, “I wish you’d tell me about these African things. I’m sure you know what they all are.”

I have heard Hector Blunt described as a woman hater, but I noticed that he joined Flora at the silver table with what might be described as alacrity. They bent over it together.

I was afraid Mrs. Ackroyd would begin talking about settlements again, so I made a few hurried remarks about the new sweet pea. I knew there was a new sweet pea because the Daily Mail had told me so that morning.Mrs. Ackroyd knows nothing about horticulture, but she is the kind of woman who likes to appear well-informed about the topics of the day, and she, too, reads the Daily Mail. We were able to converse quite intelligently until Ackroyd and his secretary joined us, and immediately afterwards Parker announced dinner.

My place at table was between Mrs. Ackroyd and Flora. Blunt was on Mrs. Ackroyd’s other side, and Geoffrey Raymond next to him.

Dinner was not a cheerful affair. Ackroyd was visibly preoccupied. He looked wretched, and ate next to nothing. Mrs. Ackroyd, Raymond, and I kept the conversation going. Flora seemed affected by her uncle’s depression, and Blunt relapsed into his usual taciturnity.

Immediately after dinner Ackroyd slipped his arm through mine and led me off to his study.

“Once we’ve had coffee, we shan’t be disturbed again,” he explained. “I told Raymond to see to it that we shouldn’t be interrupted.”

I studied him quietly without appearing to do so. He was clearly under the influence of some strong excitement. For a minute or two he paced up and down the room, then, as Parker entered with the coffee tray, he sank into an arm-chair in front of the fire.

The study was a comfortable apartment. Book-shelves lined one wall of it. The chairs were big and covered in dark blue leather. A large desk stood by the window and was covered with papers neatly docketed and filed. On a round table were various magazines and sporting papers.

“I’ve had a return of that pain after food lately,” remarked Ackroyd casually, as he helped himself to coffee. “You must give me some more of those tablets of yours.”

It struck me that he was anxious to convey the impression that our conference was a medical one. I played up accordingly.

“I thought as much. I brought some up with me.”

“Good man. Hand them over now.”

“They’re in my bag in the hall. I’ll get them.”

Ackroyd arrested me.

“Don’t you trouble. Parker will get them. Bring in the doctor’s bag, will you, Parker?”

“Very good, sir.”

Parker withdrew. As I was about to speak, Ackroyd threw up his hand.

“Not yet. Wait. Don’t you see I’m in such a state of nerves that I can hardly contain myself?”

I saw that plainly enough. And I was very uneasy. All sorts of forebodings assailed me.

Ackroyd spoke again almost immediately.

“Make certain that window’s closed, will you?” he asked.

Somewhat surprised, I got up and went to it. It was not a French window, but one of the ordinary sash type. The heavy blue velvet curtains were drawn in front of it, but the window itself was open at the top.

Parker reëntered the room with my bag while I was still at the window.

“That’s all right,” I said, emerging again into the room.

“You’ve put the latch across?”

“Yes, yes. What’s the matter with you, Ackroyd?”

The door had just closed behind Parker, or I would not have put the question.

Ackroyd waited just a minute before replying.

“I’m in hell,” he said slowly, after a minute. “No, don’t bother with those damned tablets. I only said that for Parker. Servants are so curious. Come here and sit down. The door’s closed too, isn’t it?”

“Yes. Nobody can overhear; don’t be uneasy.”

“Sheppard, nobody knows what I’ve gone through in the last twenty-four hours. If a man’s house ever fell in ruins about him, mine has about me. This business of Ralph’s is the last straw. But we won’t talk about that now. It’s the other—the other——! I don’t know what to do about it. And I’ve got to make up my mind soon.”

“What’s the trouble?”

Ackroyd remained silent for a minute or two. He seemed curiously averse to begin. When he did speak, the question he asked came as a complete surprise. It was the last thing I expected.

“Sheppard, you attended Ashley Ferrars in his last illness, didn’t you?”

“Yes, I did.”